Elka Panther v1.0.0 VSTi WiN

TEAM V.R | 17 October 2018 | 8.98 MB

(Win32/64; VSTi)

ELKA Panther was one of the most famous organs in 60s’ and 70s’ popular music. This is what ELKA said about the Panther Combo Organ in their 1960s’ brochure: “The PANTHER Combo Organ invites you to a new world of musical excitement. Compressed into her sleek, slender frame is a fantastic variety of thrilling organ sounds. The PANTHER is poised, waiting for your musical commands. Ask her for a biting, swinging attack and she’ll leap with ecstasy! Try her on solo and her tingling trebles will penetrate across the biggest room. Taunt this wildcat and her roaring bass tones will overwhelm the noisiest crowd. The PANTHER’s full-throated voice box houses all of the natural sounds of the orchestra, and she’ll mix them in an infinite variety of combinations to fit any mood. She’s a big theater organ, or a power-packed combo organ, or a pulsating solo organ, ready to respond instantaneously. Set her up in a couple of minutes and she’s ready for action! Rock ‘n roll, swing, jazz, or a ballad you name it and this transistorized cat will play it like no other organ in the world.”

TRK-01 v1.1.0 for REAKTOR

Team V.R | 13 June 2018 | 60.49 MB | UPDATE: 59 MB

START STRONG WITH TRK-01

Low end forms the foundation of almost all electronic music, so getting great kick and bass from the start makes all the difference. TRK-01 marries classic mixing techniques with innovative sound design, sequencing, and modulation, so you’re always inspired to write solid and exciting kick-bass combinations. Get your new tracks rolling quicker and sounding bigger than ever before – start with TRK-01.

Cycling 74 Max v8.0.1 WiN

Team R2R | Oct 02 2018 | 414.49 MB

Cycling ‘74 has released version 8 of Max and the company is calling it “the closest thing to a mind-expanding drug Max has ever had”. The visual programming language has taken on a raft of new improvements in the latest iteration, most notably the introduction of the new MC. objects. MC, we’re presuming, stands for multi-channel and Cycling ‘74 is sure it will “transform how you imagine sound design”. It makes patches with 100 channels of audio look as simple as those with a single channel. It seems MC will give you the ability to manipulate multiple audio channels and operations with fewer objects. Much of the development in version 8 has been focussing on performance. Cycling ’74 now claim that Max will launch 20 times faster on Windows than before and load patches up to four times as quick. Performance as a whole is improved, with complex UI operations being significantly more responsive. Another big update is the ability to control your patches with hardware, without the need to patch. In the new Mappings Mode, you can assign physical controls to your patch in just three steps; simply enter Mappings Mode, select a slider and then move your controller – done.

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

FC70 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 3.10 MB | MAC: 8.26 MB | LiNUX: 10.6 MB

AU/VST/VST3/AAX/x86/x64

The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters. Inspired by the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 tames dynamics without robbing the mix of power and detail. The FC70 uses state of the art processing to emulate a fully balanced transformer-coupled signal path, combined with an innovative delay-free feedback algorithm which accurately mirrors equivalent analogue behaviour. In addition, the sidechain includes fast attack and program dependent release settings, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

EQ500 Series v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.33 MB | MAC: 3 MB | LiNUX: 2.89 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

DYN500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 3.55 MB | LiNUX: 2.77 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.